The Giclée technique is not a screen print, as no screens are
involved. The prints therefore have a higher apparent resolution than
lithographs. It is a sophisticated, fine art production utilizing the highest
resolution digital printers. The dynamic color range is similar to a serigraph.
In the Giclée process is a fine stream of ink, more than 4 million droplets per
second, is sprayed onto archival canvas. The process offers a protective coating to
ensure quality standards for the discriminating art collector.
The Giclée process has gained wide acceptance from major institutions such as the Chicago Art
Institute and the Los Angeles County Museum of Art.
The Giclée print displays a full color spectrum and captures every fine
distinction of Mr. Adamsons original paintings.